One of the special things that I have seen recently is a British Council-sponsored series on "Screen Dance" in the UK. Contemporary choreographers are these days so enamoured of putting "multimedia" video projections into their works, but in Singapore there are far fewer of us looking into video itself as a performance medium.
Who needs lunch when you can go for a talk by the electrifying Liz Aggiss. She began dancing when she was 30, becoming a fearless artist and choreographer, and also a dance film maker and academic. In person and in some quirky on-screen introductions in the film, she pointed out the vast possibilities of film for directing and framing the audience's point of view, and also creating special effects to transcend gravity, venue, and sound. How nice to be able to keep a record of the work for posterity, that is made to be viewed on screen instead of inch-high blots for dancers on the wide-angle stage shot. It surely helps when generous institutions realise the potential and reach of dance film. The UK has the BBC, Channel 4 and the Arts Council England.
Singapore is just now falling in love with animation, computer graphics and film shorts. The most beautiful movement in Singapore is waiting to be shot and edited!