Wednesday, 25 December 2013

Focus at M1SIFF this January


My first performance for the new year is... Focus! This trio is a dear old friend that's accompanied me and watched me grow for the last two years, and I'm really glad that Ole, Jereh and I will be able to perform it again in Singapore in its complete version.  Details here.

Monday, 16 September 2013

Monkey biz

I can hardly believe that we've finally wrapped up three shows of Do Gorillas Peel Bananas? at the Substation! What the heck just happened!

Photography by EnricKoan 

It seems like a really long time since we first tossed around the title in 2012, and then the selection of the Open Call in May 2013. Searching for what my "process" might be...painful-confusing-hilarious-terrifying-absorbing-exhausting-exciting-miserable... I couldn't have gotten through it without some amazing and patient collaborators David Lim, Andy Lim, Brian Gothong Tan, Norisham Osman, a whole new bunch of perspectives from my mentors Natalie Hennedige and Fendy, and the listening ears of friends and relatives. I'm kind of stunned that my silly little experiment with a lot of duct tape has resonated with so many people. A huge thank you to everyone who worked on and supported the show in so many ways. Thank you for the space to grow.

(Thank you the Substation, Lee Foundation, Arts Fund, Rimbun Dahan (KL), Mum, Dad, Yi Gu Ma, Air and Odor Management Pte Ltd, Laura Kho, Tong Wen Yee, Laura Tham, Yen Feng, Joey Feng, Nick Yip, Dylan Tan, Din and Israf, Annabelle and the Substation staff, Pat Toh, Ian Tan, Bilqis Hijjas.)

Sunday, 25 August 2013

dance as an effort to understand

Borrowed from Yong Wei's facebook:

thought while sitting by the pond today: the study of dance, perhaps is not just to perfect the craft of beautiful movements and/or developed aesthetic voice, but is also a science that is an effort to understand, or to understand better, the natural and social world and how it works, with observable physical experiences through the body as the basis of that understanding. It is done through embodying the natural phenomena, and/or through experimentation within a creative process and research. Perhaps...

Performance Updates Aug-Dec 2013

Dear friends,

I’m back from the summer tour of Focus on the Atlantic Coast of France, and working between Singapore and KL on my new performance/installation/creation at the Substation, among other projects.  The next few months for me will include some performances and teaching in Singapore (I’m picking up my lecturer’s pass at Lasalle!), and performances and labs in Sweden, Germany, Malaysia and Taiwan. As always, I would love to catch up with you and share my work here or overseas.  Do drop me a line if you’d like to connect while I’m in your part of the world!

Also for the first time in these updates, I’ve attached a publication from the volunteer team that I run at Oogachaga, a counseling and personal development organization for the lesbian, gay, bisexual, transgender and questioning/queer (LGBTQ) community. It’s not an artistic pursuit at all – it’s about how we can support ourselves and others through emotional crises. We had an amazing team that worked very hard on this and its associated workshop on 18 Aug. I’m very proud of it and hope to make it available to as many people as possible, LGBTQ or straight, who might find it useful.

I don’t know if I’ll ever have another year like this one. I’m not sure if I should – but here goes!

love,

Sze



Contradiction
Sat 31 August 7.30pm
72-13 Mohamed Sultan Rd
Free admission

I’m part of the annual literary reading in Singapore’s pride festival Indignation this year.  The curators have picked an interesting selection of my work from six years ago to the present!  I’ll be reading and probably dancing them.  Curated by Ng Yi-Sheng and Jasmine Seah, you can expect an evening of excellent poetry, prose, spoken word and theatre script readings, often material that hasn’t had the chance to be published. All are welcome (not just LGBTQ folks!) but do come early to get a seat, because it’s usually packed to capacity. Details at https://www.facebook.com/events/669998949682641/?fref=ts

Do Gorillas Peel Bananas? with David Lim
Fri-Sat 13-14 September 8pm
The Substation
Tickets $10.  Email reservations boxoffice@substation.org

This is my labour of love for the year.  When I was selected for the Performance Open Call programme this year, I launched myself into a foolhardy adventure into forms and material that I have always wanted to do but never had the opportunity to try before. It’s finally come down to a crazy and I hope funny performance/installation/experiment on non-state censorship and control.  The piece developed out of conversations with David on the sides of the KL Contact Improv festival (where we are co-organisers) in the last two years. It’s the first time that I’m driving the concept and direction for a project of this scope, and I’m lucky to have the support of my collaborators (also Andy Lim and Brian Gothong Tan) and the mentorship of Natalie Hennedige of Cake Theatre and Noor Effendy Ibrahim of the Substation. It has been and continues to be a terrifying, thrilling gamble for me. Audience size is restricted to 40 pax per night so do book early if you’re planning to come!  You can view the synopsis and a fruit ninja promo video here. http://www.substation.org/event/do-gorillas-peel-bananas/

The Third Space – Explorations in Contemporary Asian Dance presented by Nanyang Academy of Fine Arts
Fri 11 Oct 2013 7.30pm/Sat 12 Oct 2013 6pm
The Esplanade Recital Studio
Tickets $15/$10 (concession) at SISTIC

This year NAFA decided to let its alumni choreographers step up for the Third Space platform at the Esplanade da:ns festival. Six proposals were selected, including my new short work “II”. It’s an improvised duet for three dancers, scored from the instructions on the back of a chopsticks wrapper! I am dancing in this piece with Laura Tham and Farliana Ghan.  The rest of the evening’s programme is a varied mix of lyrical, spiritual and experimental visions of five fellow graduates – Lin Juliana, Lee Ren Xin, Max Chen, Elizabeth Lee, Goh Shou Yi. Details at  http://www.dansfestival.com/2013/next-gen/the-third-space/

All Is Divine
October/December 2013
Dansens Hus, Stockholm/Kampnagel, Hamburg

At last year’s Singapore Arts Festival I got to take part in a workshop with Swedish director Charlotte Engelkes, who was developing a third instalment to her Wagner-comedy-dance-theatre trilogy “A Very Wagnerian Night”.  This year the workshop segment has developed into a fantastic full length show, where we spy into the private lives of the German/Nordic mythical pantheon as the world is coming to an end. At which point the gods turn out to be quite human, and quite Asian too. Together with a team of actors, opera singers, sound artists and designers from Sweden, Germany, and from Singapore singer Celine Rosa Tan and visual artist Brian Gothong Tan. Details at charlotteengelkes.com

Asia Pacific Impro!
4-10 November 2013
DPAC, Kuala Lumpur (PJ)

I’ve been invited to the first platform in Southeast Asia for improvised performance, along with dancers and musicians from Japan, Taiwan, Malaysia and Singapore.  We will be involved in a week of research labs, but also opening the doors to teach dance workshops and share performances. Details at asiapacificimpro.org

Be with Me - Self Care in Emotional Crisis a publication by Oogachaga/OC Women


Friday, 16 August 2013

Practice



"You should not be practicing to have a 'good' practice, but instead to keep steadiness within yourself. Practice happily regardless of whether it is 'good' or not. Sometimes some postures will not be possible, but when you accept the good and the bad and everything becomes equal for you, that is yoga."

- R. Sharath Jois

Thursday, 20 June 2013

Why I dance III

This morning I finished my yoga practice and realised that I have come to these interrelated body practices - dancing, yoga, improv - probably because I have needed them so much.  They have been literally exercises for the physical but more importantly for the mental aspect.  My practice has gotten me through a lot of challenging and stressful times in my life.

I had to learn patience with my body... and having an older and inflexible body in professional training needed a lot of patience, and perseverance! It was patience with my body that got me to learn patience with myself, and finally patience with other people.  Not just the kind of patience that prevents me from losing it and being nasty to people, but a patience to try and hear others out even when I really don't agree, and understand why.  I still have my temper and my moods of course; they will always be a part of me.  But I do find that I want to bite people's heads off less often.  And I can recover my emotional balance more quickly.

Both in my improv practice and yoga, I am dedicating time to observing and listening.  Not just with eyes and ears, but with touch, smell, awareness of space, time, energy.  Maybe that's why I never watch TV anymore - I prefer to spend time listening to my breath, my time, or other bodies'!

In a way this lesson worked in the reverse to the patience lesson.  It was through other bodies in contact improv that i discovered what it was to listen and to be present.  Not in the combination, not in the corrections, not in my expectations or anticipations, but just here and now.   Realising that this made a huge difference for how I worked as a performer and particularly as an improviser, and that it is also perceptible to other dancers and my audience.

An amazing question that I received recently was "how do I know I exist?" In fact it came incidentally twice, in the two unrelated great workshops that I took in April with Karen Nelson and Joerg Hassmann. (How's that for a sign!) Both Karen and Joerg talked about how other bodies and encounters allow us to discover ourself.  So observing and listening came to me from the outside... and I am now learning to apply it to myself and my body.

In another context completely (group therapy facilitation practice!) I also recently received the idea that we go through cycles of experience but we benefit most when we take the time to integrate them.  I guess this is a moment of integration.  I don't know how long I'll be here, when I might move on or need to retrace my steps.  But for now I have a sense of gratitude for what I am receiving.

It's making me enjoy my practices more and more. Hopefully they also make me a better dancer and artist, if incidentally.  I suspect that in these very small ways, they're also making me a better person.

#whyidance - I had a vague memory that I'd been writing on this title some years back.  Looking through my old entries, I have been doing this even more than I thought!  So I've created a new tag if you want to look back in time with me.

EnricKoan photography 2011.

Tuesday, 14 May 2013

Contact!



I am home, and in contact! I'm working on two dancing opportunities here and in KL in the next 2 months:




Contact Improv Singapore Community JamsI'll be facilitating a series of contact improv jams in the next two months, starting with 19 May Sunday, 10am-12noon at Frontier Danceland. The jam will start at 10am with a warmup to awaken body and mind. Open contact improv jam until 12noon. All levels welcome. This session will be facilitated by Sze. Random music welcome, please contact sze (bluestocking65@gmail.com) to put your music on the playlist. Suggested donation of $10 for jams - proceeds to our CI Singapore Community Fund and to our hosts. For info on further jams please join our facebook group.

Venue:
Frontier Danceland
BLK M, 90 Goodman Art Center #02-51/52, Singapore, Singapore 439053
View map · Get directions
BLK M, 90 Goodman Art Center #02-51/52, Singapore,
Nearest MRT: Mountbatten. Frontier Danceland's studio is located at the second floor of Block M, Goodman Arts Centre.

Contact Festival Kuala Lumpur
The dancing continues a few hours away at Contact Festival Kuala Lumpur at the garden studio of Rimbun Dahan, from 22-30 June 2013. Yong Wei from Singapore will be leading an underscore practice over the weekend of 22-23 June, where we'll be linking up to the Global Underscore for the first time in Asia!
Followed by a week of workshops by Genevieve Cron (France), David Lim (Malaysia), Vangelis Legakis (Greece/UK), Yu Yen Fang and Yu Xiaochu (Taiwan), with a public presentation on 29 June 2013.